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Rose Red

Transcript: She is a college professor in parapsychology. She is married to the owner of Rose Red. With her obsession of the house she believes she can awaken Rose Red. Professor Carl Miller doesn't believe in her and thinks that she is a crazy person. Rachel "Sister" Wheaton Rose Red Ladies Victor: heart attack Dr. Carl: Killed by Kevin bellinger Patricia: Killer by Sukeena Dr. Joyce:Killed by everyone Nick: Disappeared Pam: Killed (Seemed to have drowned) Character Abilities Battle between Good and Evil. That is the house vs. Annie. He is now the owner of Rose Red. He also has the ability to talk to Annie through their minds. Memories come back when he visits the house of seeing Ellen Rimbauer when he was younger. At the end he helps Annie come back from being possessed. Telepathy only inside rose red. Survivor Survivor She is the sister to Annie but goes by sister. She watches over Annie because they think her ability is a disorder. She takes care of Annie since she's been little. She convinces the family to let Annie go to Rose Red. Rose Red Survivor Rose Red Has the psychic abilities. Her ability awakens Rose Red. She helps everyone leave the house. At the end she destroys the house. Telekinetic, telepathic. Platonic Outcast Numbers Colors mostly used Professor Joyce Reardon Symbolic Annie Wheaton A possessed house by spirits of the dead. This house unknowingly was built on sacred grounds. The house has, come to life and hates/kills the men that come to live in the house. Has a particular/favoritability to the women. Black : symbol of the darkness witch brings the terror. White: symbol of the light and witch saves the survivors. Symbol of Annie. Red: symbol of the blood that spills of the victims and the symbol of the house. Steve Rimbauer Stephen King Hero The Temptress Light vs. Evil Annie vs. Evil. Annie: Telekinetic, Telepathy Cathy: Automatic writing Emery: Retrocognition Nick: Telepathic, remote viewing Pam: Psychometry Victor(Vic): Precongnitive Steve: Telepathy only in Rose Red Killed Rose red ladies are the women who has died in Rose Red and are being used to attract others making them come to their deaths. Situation Character Deaths Victims : Nick Hardaway, Pam Asbury, Victor "Vic" Kandinsky Dr. Carl Miller, Patricia Waterman, Keven Bollinger Six : the devil Seven : the number of pshycics Devil Mentor Killer

Red Red Rose

Transcript: Spanish He was born on 25 January 1759 in the village of Alloway. Despite his parents were both farmers, he received a relatively good education and began to read avidly. The works of Alexander Pope, Henry Mackenzie and Laurence Sterne fired Burns's poetic impulse and relationships with the opposite sex provided his inspiration. His attentions towards the passions of poetry, nature, drink and women which would characterise the rest of his life. At just 27, Burns had already become famous across the West Indies with poems such as “To a Louse”, “To a Mouse” and “The Cotter's Saturday Night”. He moved to Edimburgh and in just 18 short months, Burns had spent most of the wealth from his published poetry, so in 1789 he began work as an Excise Officer in Dumfrie. His increasingly radical political views influenced many of the phenomenal number of poems, songs and letters he continued to pen, including such famous works as “For a' that and a' that”. English INDEX (índice) Scottish A red, red rose O my Luve's like a red, red rose That’s newly sprung in June; O my Luve's like the melodie That’s sweetly play'd in tune. As fair art thou, my bonnie lass, So deep in luve am I: And I will luve thee still, my dear, Till a’ the seas gang dry: Till a’ the seas gang dry, my dear, And the rocks melt wi’ the sun: I will luve thee still, my dear, While the sands o’ life shall run. And fare thee well, my only Luve And fare thee well, a while! And I will come again, my Luve, Tho’ it were ten thousand mile "Red Red Rose" is a love poem written to be sung. Robert Burns based it on a folk version of a song he heard on his travels. Burns completed the poem in 1794 in an English dialect called Scots for publication in collections of traditional Scottish ballads. INTRODUCTION Translation Robert Burns was was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a light Scots dialect. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest. He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland. The poet loves his girlfriend as deeply as she is beautiful. He will love her till all the seas become dry and the sun melts the rocks. He loves her as long as he lives. Now he says good-bye to his beloved and promised to come even from ten-thousand miles away. Robert Burns’ BIOGRAPHY The hard work this new job entailed, combined with the toil of his earlier life and dissolute lifestyle began to take their toll on Burns's health. He died on 21 July 1796 aged just 37 and was buried with full civil and military honours on the very day his son Maxwell was born. A memorial edition of his poems was published to raise money for his wife and children. In his honor, it is hold a celebration called “Burns Supper”. O, my love is like a red, red rose, That is newly sprung in June. O, my love is like the melody, That is sweetly played in tune. As fair are you, my lovely lass, So deep in love am I, And I will love you still, my Dear, Till all the seas go dry. Till all the seas go dry, my Dear, And the rocks melt with the sun! O I will love you still, my Dear, While the sands of life shall run. And fare you well, my only Love, And fare you well a while! And I will come again, my Love, Although it were ten thousand mile! O, my love is like a red, red rose, That is newly (1)=_______________ in June. O, my love is like the melody, That is (2)=_______________ played in tune. As (3)=____________ are you, my lovely (4)=____________, So deep in love am I, And I will love you still, my (5)=___________, (6)=_________all the seas go (7)=__________ Till all the seas go dry, my Dear, And the rocks (8)=___________ with the sun! O I will love you still, my Dear, While the (9)=____________ of life shall (10)=______________ And fare you well, my (11)=____________ Love, And fare you well a (12)=____________! And I will come again, my Love, Although it were ten (13)=________________ mile! Una roja, roja rosa Una rosa roja, roja Oh, mi amor es como una rosa roja, roja, que acaba de abrirse en junio, oh, mi amor es como la melodía que se toca con dulzura y armonía tan hermosa sois, mi preciosa pastora, estoy tan enamorado de vos, y todavía os amaré, amada mía, cuando los mares se sequen: cuando los mares se sequen, amada mía, y las rocas se derritan al sol, todavía os amaré, amada mía, mientras la arena de la vida corre. Y me despido de vos, mi único amor, y me despido de vos por un momento, y volveré, amada mía, aunque diez mil millas nos separen Red Red Rose -Introduction -translation ·Scottish ·English ·Spanish -Biography of Robert Burns -Summary of the poem SUMMARY

Red, red rose

Transcript: ✳✱* for general enjoyment purposes, probably not In Burns's contemporary context, yes The "Major Graham's Strathspey" is rooted in tradition and represents Burns's lyrics in the best way "O my Luve's like a red, red rose": Does Burns's melody really matter? Does the original choice of melody matter? Burns gave Urbani this song and he promised to set it well "Selection of Scots Songs... Improved and with Simple and Adapted Graces" (1794) setting of the song is stylized and created for drawing room entertainment with accompaniment has three beats in the bar, giving a waltz-like feel unusual choice of meter, putting emphasis on the wrong words - " I will love thee still, my Dear" turns into "And I can love thee still, my Dear" , there is an emphasis on can as well First sight of the lyric A Summary tune chosen by Burns, thus matches his idea of the song and its "wild irregularity" created by Niel Gow and found in Johnson's Scots Musical Museum published shortly after Burns's death wide and expansive musical range (from middle C to top G) has a dotted quaver- semiquaver rhythm and a scotch snap - allows for lyrics to take on certain emphasis not shared by other choices of tune - attention is drawn to himself, ("my"), ("I") - depth of his love and longevity and love is emphasized 1799, George Thomsons choice did not give Burns the credit for the song a William Marshall fiddle tune argues it is not a very good fit to the lyrics Has been described as "Scotland's most famous love song" By Robert Burns There is a rich history of the many melodies selected to accompany the lyrics Mixing and matching tunes was quite common at this time Some songs work well with many tunes, while others, like red, red rose , do not. emotional connection with the moods of a melody + detailed understanding of its structures and rhythms influences the quality of the lyrics "Wishaw's favourite" "Major Graham's Strathspey" Different melodies to accompany the lyrics Complicated History of the lyrics Many of the images of the song were found elsewhere before they became lyrics - narrator's love being like a red rose - like a melody played in a tune - that the rocks will melt before his love runs out Some are disappointed, others think his talent includes refashioning what others say "Mary Queen of Scots" "Low down in the Broom" MU2002 Basics of the song Also published by Johnson, but this time as an alternative melody for "Red, red rose" Simple with a smaller range only a few dotted rhythms never became very popular argues that this is restricted in the emotional expression that could be displayed The tune most popularly used for "Red, red rose" popular eighteenth century melody Burns drew Thomsons attention to this tune but didn't actually write anything to it by 1896, this was the first choice for most everyone smooth but does not inspire Burns's categorization of the simple and the wild easier to sing than Major Graham

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